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  <title>The Stoneforge Newsletter</title>
  <link>https://stoneforgegroup.com/insights/</link>
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  <description>Longer pieces for owners of established services businesses – on winning work, on the numbers, and on what actually moves a business that has flattened out.</description>
  <language>en-us</language>
  <copyright>Stoneforge Consulting Group</copyright>
  <lastBuildDate>Thu, 24 Sep 2026 09:00:00 +0000</lastBuildDate>
  <image>
    <url>https://stoneforgegroup.com/assets/img/logo-512.png</url>
    <title>The Stoneforge Newsletter</title>
    <link>https://stoneforgegroup.com/insights/</link>
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  <item>
    <title>Six minutes slower</title>
    <link>https://stoneforgegroup.com/insights/six-minutes-slower/</link>
    <guid isPermaLink="true">https://stoneforgegroup.com/insights/six-minutes-slower/</guid>
    <pubDate>Thu, 24 Sep 2026 09:00:00 +0000</pubDate>
    <dc:creator>James Walls</dc:creator>
    <description>Elite goalkeepers dive on nine penalties in ten, and save more of the ones where they stand still. Why the pull to act hardest under stress is the same pull that buys a truck in a month whose numbers cannot yet say whether the work is real, and what a stage gate does about it.</description>
    <content:encoded><![CDATA[<p><img src="https://stoneforgegroup.com/assets/img/insights/six-minutes-slower.jpg" alt="A traffic map of Sarasota, Interstate 75 marked red and crawling at 7 mph" width="1280" height="720"></p>
<section class="reveal no-line" style="padding-top:24px;">
    <div class="prose">
      <p>About twice a week I drive the I-75 into Sarasota, and more often than not it slows to a crawl. Apple Maps tells me I&#8217;m already on the fastest route. But I still come off at Bee Ridge instead of staying on to the UTC exit, and we take Cattlemen Road. Right up until that exit, the map is telling me it&#8217;s going to be six minutes slower. Once I&#8217;m off, the comparison disappears &#8211; there&#8217;s no alternative left, so it just tells me how long it&#8217;ll be until I get there.</p>
      <p>I know the delay before I take the exit, and we do it anyway, because psychologically (to me at least), moving is better than not. Innately, doing something &#8211; moving, making a decision, progressing, even if it&#8217;s sideways &#8211; feels better than waiting it out (&#8220;Just keep swimming&#8221; &#8211; Dory). It&#8217;s more settling to my psyche, even though, realistically speaking, it isn&#8217;t the fastest way to get where we&#8217;re going, nor is it the most certain.</p>
      <p>The same is true for most business owners. The pull to be doing something, anything, is real, and it isn&#8217;t going away. When it conflicts with what&#8217;s most likely to be right, you feel the tension between the two. The job is to recognize that tension and balance the pull with a weighed, rational decision &#8211; one that answers the emotional need to act, the practical need to keep the commitment to a size you can carry, and the logical need for the numbers to back it.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">The urge to do something</h2>
    <div class="prose">
      <p>Many of the owners I work with are addicted to working harder and being in action &#8211; and often so am I &#8211; especially when under the stress of uncertainty. Working that way is how most of us built our businesses in the first place. But it means that when stress arrives, we immediately lean in to do something, and the things I see owners do at those moments are rarely small.</p>
      <p>The urge can be strong enough to override the odds, and the clearest evidence I know of comes from football (soccer). A study of elite goalkeepers facing penalty kicks (Bar-Eli and colleagues, 2007) looked at 286 penalties. The keepers dived left or right 93.7% of the time &#8211; yet when they stayed in the center, they saved about a third of the shots they faced, against roughly one in seven when they dived. The researchers&#8217; explanation: conceding a goal while standing still feels far worse than conceding one after a full-length dive.</p>
    </div>
    <p class="pull">The pull to move in the face of stress can outweigh doing the right, probable thing &#8211; and that&#8217;s when it becomes dangerous.</p>
  </section>

  <section class="reveal">
    <h2 class="sec">When it&#8217;s a hire and a truck, not six minutes</h2>
    <div class="prose">
      <p>A few weeks ago I sat with an owner who was feeling that same tension. His crews said they couldn&#8217;t keep up, and his answer was to hire a ringer &#8211; a proven technician who could produce from day one &#8211; and buy another truck to put him in, possibly with a short-term business loan to carry the step: a BIG dive in football terms. He told me he was scared to take that step, and just as sure the business desperately needed it. Yet billing was off to a slow start, and payroll had jumped because it was a long month. So the month felt busy and expensive at the same time, and the numbers couldn&#8217;t yet say whether the busyness was real. Dive left, dive right, or stand still (the hardest thing!)?</p>
      <p>A big call like that, made unexamined in the moment, is where the pull becomes dangerous. To him, the truck felt like the big, dangerous decision &#8211; a commitment to a $30,000 asset. But once we looked at it, the truck turned out to be the small part &#8211; financed, it came to a few hundred dollars a month, not the difference between the business failing and succeeding. The real commitment was the person, and the training, support, and moral obligations that come with him, in a business that might already have more people than the month&#8217;s work needs. He was carrying all of it in his head: the uncertainty was driving the worry, and the worry was driving the impulse to move.</p>
      <p>So we didn&#8217;t make the big call that day &#8211; but we didn&#8217;t just stand still either. Unlike the keeper, he had time for an option that was neither. We took the fear and put two pieces of logic against it. First, we looked at daily billing &#8211; above a certain level, the crews are stretched; below it, the business is already well resourced &#8211; and set the slow start against its reasons: a public holiday, a day lost to a truck repair, and the normal trends for that time of year. That explained the slow start, but couldn&#8217;t yet say whether the crews were truly stretched. Second, we set the forward measurements that would tell him when the decision could be taken with the risk contained and understood. Between those two things, the feeling that the business desperately needed it became something we could measure &#8211; and we&#8217;d find out whether it was true. That&#8217;s what removed the fear.</p>
      <p>Then we turned those measurements into a stage gate &#8211; a condition, agreed in advance, that has to be met before the money gets spent. He buys the truck and starts the hire when there are four weeks of jobs booked ahead and daily billing has passed its threshold on at least eight of the last ten working days, with a no-go date by which both have to be met. In the meantime, his office started tracking jobs booked ahead alongside the daily billing they already watched.</p>
      <p>Welcome to balanced decisions: setting the gate was itself a real action, so it met the emotional need to do something that day. It met the practical one too, because the truck was never the big commitment, and the hire only happens once four weeks of booked work are there to carry it. And it met the logical one, because the numbers, not the month&#8217;s mood, would say when.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">How to set a stage gate</h2>
    <div class="prose">
      <p>A gate works best when it&#8217;s set before the pressure builds, though it can still be set in the middle of it, as his was. Either way, it has to be specific enough that you can&#8217;t argue with it on a bad day. Mike Michalowicz&#8217;s <em>Clockwork</em>, which I introduced last week, would call this Designing work &#8211; shaping how things run, so fewer decisions have to be made in the moment &#8211; and it&#8217;s the first thing to go when stress pushes us back into the work itself. You&#8217;ll know you need one when a big decision feels like it has to be made today, and the reason is how the month feels rather than anything in the numbers.</p>
    </div>
    <div class="ins-def">
      <p class="ins-def-term"><strong>A Stage Gate</strong></p>
      <p><strong>The decision:</strong> the specific commitment you&#8217;re about to make &#8211; the hire, the truck, the lease, the new market.</p>
      <p><strong>The numbers:</strong> the one or two numbers you&#8217;ll watch &#8211; weeks of work booked ahead, daily billing, cash left after payroll. If you&#8217;re not tracking them yet, start today.</p>
      <p><strong>The threshold:</strong> the level each number has to reach for the decision to pay its way &#8211; enough booked work to keep another truck busy, and/or billing that shows your current crews are already at full stretch (roughly what they bill on a day when every crew is fully booked &#8211; your best recent full days are a fair guide) &#8211; and, where one good week could fool you, how long it has to hold there, such as eight working days out of ten.</p>
      <p><strong>The no-go date:</strong> the date by which the threshold has to be reached &#8211; far enough out for a trend to show, but not so far that you&#8217;re left hanging &#8211; and what happens if it isn&#8217;t. &#8220;Not yet&#8221; is an acceptable answer, and it means the commitment comes off the table until you write a new gate from fresh numbers.</p>
      <p>Write it down, and tell one person who&#8217;ll hold you to it.</p>
    </div>
    <div class="prose">
      <p>The no-go date is the part that&#8217;s easiest to leave out. Without one, the gate never says no &#8211; it just sits there as a target, and you start forcing the number over the line, discounting to fill the calendar and chasing work to hit it. That&#8217;s the same pull to be doing something, left unexamined.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Keeping the decision yours</h2>
    <div class="prose">
      <p>The map was right that Cattlemen would be slower, and good information is worth listening to, provided I&#8217;m the one assessing it and deciding what to do with it. Taking the exit is also an act of control &#8211; I&#8217;m choosing, not being told. The AI sidekick in Maps is a small version of something much bigger: we&#8217;re increasingly told we can outsource our thinking to AI, and when I look at LinkedIn and other sites, it appears many people are handing over their judgment, not just their writing, without a second thought. That&#8217;s the brain rot that sets in when we trust everything and stop judging for ourselves. Using your own brain is becoming more critical, not less &#8211; and a gate is exactly that: your own thinking, written down, so that neither the pressure nor the machine &#8211; a map, a <button type="button" class="gt" aria-expanded="false" aria-controls="gd-forecast">forecast</button> or a chatbot &#8211; makes the call for you.</p>
      <span class="gd" id="gd-forecast" role="note"><b class="gd-t">Forecast.</b> A forward view of what the numbers will do, built from what the business knows now – work already won, work likely to be won, costs already committed, and the timing of both. <a href="https://stoneforgegroup.com/glossary/#forecast">Full entry &rarr;</a></span>
      <p>Yesterday I took the Bee Ridge exit again, as I still often do &#8211; but these days I do it deliberately. I knew what it would cost me, I knew what I was getting for it &#8211; a settled head instead of a fight with the traffic &#8211; and I knew my plan B: keep heading west to Honore or Beneva, or down to 41 if I needed to. If you&#8217;re doing it consciously &#8211; you&#8217;re aware of it, you understand it, and you decide to do it anyway &#8211; well, that&#8217;s okay, because it isn&#8217;t just an emotionally triggered pull. It&#8217;s a real, considered decision, and a stage gate is how you make a business decision the same way.</p>
      <p>A gate settles one decision; to see where the pressure is coming from in the first place, find out where your business is actually stuck. Where It&#8217;s Stuck is six statements and about thirty seconds: say how true each one feels for your business, and it points to whether the block sits in how the work is won, in the numbers underneath, both, or somewhere these six don&#8217;t reach. No email is asked for, and nothing you answer is saved or sent anywhere &#8211; it&#8217;s meant to be useful whether we ever speak or not.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Three questions to sit with</h2>
    <div class="prose">
      <ul>
        <li>What&#8217;s the decision you&#8217;re itching to make right now &#8211; and would you make it the same way on a calm Tuesday?</li>
        <li>What number &#8211; or two &#8211; would show that decision is right, and by what date will you accept &#8220;not yet&#8221;?</li>
        <li>What&#8217;s a decision you made under that pull that you&#8217;d make again &#8211; and what did you know about it that made it worth it?</li>
      </ul>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">How this was written</h2>
    <div class="prose">
      <p>Idea, argument, stories and the connections between them: James Walls. Drafting, from James&#8217;s material: Claude (AI). Structure and flow: James Walls, with Claude checking the seams. Copy editing and consistency checks: Claude (AI). Corrections, final wording and judgment: James Walls.</p>
      <p>The thinking isn&#8217;t delegated; the typing and the checking are. James uses custom-developed AI skills to check style, structure, and facts against his own standards.</p>
    </div>
  </section>
<p class="fine" style="margin-top:14px;">More on the hire the pull keeps reaching for: <a href="https://stoneforgegroup.com/questions/can-the-business-carry-this-hire/">Can the business carry this hire? &rarr;</a></p>
<hr>
<p><em>Originally published at <a href="https://stoneforgegroup.com/insights/six-minutes-slower/">stoneforgegroup.com</a>.</em></p>
<p><em>Fractional Revenue Leader (Fractional CRO) and Fractional Financial Leader (Fractional CFO) for owner-led businesses, $1–20M.</em></p>
]]></content:encoded>
  </item>
  <item>
    <title>The art of losing a finger</title>
    <link>https://stoneforgegroup.com/insights/art-of-losing-a-finger/</link>
    <guid isPermaLink="true">https://stoneforgegroup.com/insights/art-of-losing-a-finger/</guid>
    <pubDate>Thu, 17 Sep 2026 09:00:00 +0000</pubDate>
    <dc:creator>James Walls</dc:creator>
    <description>The worry came to the workshop, the wood twisted, and the joint is fused now. Why an owner ends up running the employee’s job and the owner’s job at once, and how the two labor efficiency ratios read the difference between working harder and working efficiently.</description>
    <content:encoded><![CDATA[<p><img src="https://stoneforgegroup.com/assets/img/insights/art-of-losing-a-finger.jpg" alt="An X-ray of a hand, with a surgical pin set through the ring finger" width="1280" height="720"></p>
<section class="reveal no-line" style="padding-top:24px;">
    <div class="prose">
      <p>As a woodworker, I&#8217;ve known the joy of true flow &#8211; hours where I tune the world out and shape wood into something beautiful. It&#8217;s how I&#8217;ve built the pieces I&#8217;m proud of, from bookshelves to outdoor furniture.</p>
      <p>I&#8217;ve also had the reverse, and it sent me to the hospital. That day I&#8217;d decided not to keep pushing through the financial and business stress grinding at me, but to step away and let busy hands clear my head. I went to the workshop, and I was indeed distracted &#8211; just in a bad way. The worry came with me, my mind stayed in the business while my hands fed timber through the bandsaw, the wood twisted and the blade bit hard. Bandsaw versus finger is never going to have a good outcome.</p>
      <p>The finger was stitched back on and pinned. It never healed properly &#8211; the joint is fused now. Some lessons are learned the hard way.</p>
      <p>I was running two jobs at that bench: my hands were the employee&#8217;s, doing the work, and my head was the owner&#8217;s, carrying the worry. Most owners I sit with are running both jobs every day &#8211; just without the X-ray to show for it.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">I&#8217;d rather work for me</h2>
    <p class="pull">When the business has plateaued and we&#8217;ve hit the wall, the quiet realization arrives: we would rather work for us than be us.</p>
    <div class="prose">
      <p>Something has become self-evident in conversations with many owners of established businesses (ourselves included at one time!). We get to a point where we&#8217;ve spent years treating everyone else well: our customers, and particularly our staff. And then comes this gnawing realization that, when the overwhelm, the worry, and the hours we spend in the business are all called to account, we would rather work for us than be us.</p>
      <p>We would much rather be a true employee of our own company than this owner who, for all intents and purposes, gets paid a salary (and probably not a big one!) &#8211; because that&#8217;s what the <button type="button" class="gt" aria-expanded="false" aria-controls="gd-cpa">CPA</button> tells us to do &#8211; but carries both the employee&#8217;s workload and the owner&#8217;s worry at once, and never comes up for air.</p>
      <span class="gd" id="gd-cpa" role="note"><b class="gd-t">CPA (Certified Public Accountant).</b> A professional designation for accountants who pass the Uniform CPA Examination and meet additional state education and experience requirements. <a href="https://stoneforgegroup.com/glossary/#cpa">Full entry &rarr;</a></span>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Working harder was the plan</h2>
    <div class="prose">
      <p>We got there mostly because we&#8217;ve all decided that working harder and being more productive is the way to lead a business. I believed it as much as anyone &#8211; it&#8217;s how I&#8217;d led everything. Even my escape from the business was to go and be productive somewhere else &#8211; it&#8217;s what took me to the workshop that day. And when we grow the business, we start to hand things off &#8211; or at least we think we do. But if we haven&#8217;t set ourselves up to outsource decisions, the task comes back with a million questions attached, and we end up working more at exactly the moment we&#8217;re trying to work less. &#8220;It&#8217;s just easier if I do it myself.&#8221; &#8220;I haven&#8217;t got time to get someone else to do it properly.&#8221;</p>
      <p>So the first lesson (for me at least) was this: to lighten my load, I need to enable someone else to make the associated decisions. My role is to set the guide rails (the operating processes), some form of reporting or notification, and ideally a continuous improvement loop. It doesn&#8217;t have to be perfect at the outset; iterative is absolutely fine &#8211; hence the continuous improvement. This formed the core of how we would go on to teach and lead sales teams and bookkeepers alike.</p>
      <p>The aim is to move beyond pure personal productivity &#8211; from doing more, to doing less. Or as Mike Michalowicz&#8217;s book <em>Clockwork</em> states:</p>
    </div>
    <p class="pull">&#8220;Productivity gets you in the ballpark. Organizational efficiency gets you hitting home runs.&#8221;</p>
    <div class="prose">
      <p>Organizational efficiency, in his phrase, is &#8220;selective efficiency, not mass productivity&#8221;: not doing more with less, but doing less with less to achieve more. It means enabling the people with the skill to spend their hours on the work that pays for everything else, and it builds a flow state into the business &#8211; the work running well &#8211; without everything hanging on one leader&#8217;s forced concentration or decisions.</p>
      <p>But guide rails can only hand decisions to team members who have the necessary foundational skills and capacity. Where this is lacking, people have to be hired for the role, or to do the teaching. In short, we need to invest.</p>
      <p>And if we all felt we had buckets of excess money lying around to hire people at will, that would be gravy. (Look up the saying if you need!) So, how do we fund this?</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">What the P&amp;L can see</h2>
    <div class="prose">
      <p>The funding is usually already sitting in the business, and your P&amp;L has been recording the difference between working harder and working efficiently the whole time. Greg Crabtree, in <em>Simple Numbers</em>, gives that difference a measure &#8211; the Labor Efficiency Ratio, or <button type="button" class="gt" aria-expanded="false" aria-controls="gd-ler">LER</button>: for every dollar you pay in wages, how many dollars of margin come back. There are two versions, and we use both because each one points you at a different side of the business.</p>
      <span class="gd" id="gd-ler" role="note"><b class="gd-t">LER (Labor Efficiency Ratio).</b> In a business where people are the product, labor is the largest cost – so the number worth watching is not what you spent on people, but what each dollar spent on them brought back. <a href="https://stoneforgegroup.com/glossary/#ler">Full entry &rarr;</a></span>
    </div>
    <div class="ins-def">
      <p class="ins-def-term"><strong>Direct labor efficiency ratio (dLER)</strong></p>
      <p><button type="button" class="gt" aria-expanded="false" aria-controls="gd-gross-margin">Gross margin</button>, with any direct labor sitting in your cost of sales added back, ÷ all the wages you pay the people who actually deliver the work &#8211; wherever those wages sit on the P&amp;L. Greg Crabtree&#8217;s working benchmark: around $2 of margin for every $1 of direct labor.</p>
      <span class="gd" id="gd-gross-margin" role="note"><b class="gd-t">Gross Margin.</b> The percentage of revenue a company keeps after covering the direct costs of producing the goods or services it sold (COGS). <a href="https://stoneforgegroup.com/glossary/#gross-margin">Full entry &rarr;</a></span>
    </div>
    <div class="ins-def">
      <p class="ins-def-term"><strong>Management labor efficiency ratio (mLER)</strong></p>
      <p>The margin left once direct labor is paid (on most P&amp;Ls, simply the gross profit line as it already reads) ÷ everything you pay the rest of the team &#8211; management, admin, and yourself. This layer of the team exists to buy you freedom. There&#8217;s no clean cross-industry number here &#8211; what you want is this ratio rising as the business grows, not sinking as you add overhead.</p>
    </div>
    <div class="prose">
      <p>Treat both measurements as a bearing rather than a pass mark &#8211; benchmarks travel badly across industries, so watch the direction more than the absolute number.</p>
      <p>Direct LER reads the delivery side: slack there is capacity you&#8217;re already paying for that isn&#8217;t turning into margin, and capacity you can redeploy or sell. Management LER reads the overhead layer, you included. A weak number there has more than one cause, but the one we keep meeting is paying for management while every decision still routes through your head &#8211; and when that&#8217;s the cause, the fix isn&#8217;t another wage &#8211; it&#8217;s the guide rails.</p>
      <p>Pull your last four quarterly P&amp;Ls, split your wage bill between direct and management as the definitions above describe, work both ratios, and write the four numbers for each ratio side by side. If a ratio is falling, every wage dollar is buying less margin than it did the quarter before &#8211; and if everyone feels busy while it falls, working harder is paying less.</p>
      <p>We&#8217;ve watched exactly that happen this year: one business we work with has its direct ratio at 1.4 against Crabtree&#8217;s suggested 2 &#8211; and falling since April. From the floor it looked healthy &#8211; full days, a team anything but idle. The ratio was the X-ray: it showed the margin thinning underneath.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Breathing space</h2>
    <div class="prose">
      <p>There is undoubtedly a gap in efficiency to find. If there wasn&#8217;t, you would already have been able to afford the roles that free you up to do only what you want in the business, for as long as you want.</p>
      <p>Growing up, I was part of Upper Hutt Swimming Club, and when we were taught freestyle we were told not to rotate the head purely to the side to breathe. Tuck the chin, aim back toward your armpit &#8211; there&#8217;s always a pocket of air there. You don&#8217;t stop swimming to breathe, and you don&#8217;t lift your head and lose the stroke; you learn where the air already is. That&#8217;s what the ratios are for: finding the breathing space in a business that feels like it&#8217;s all water.</p>
      <p>What the numbers open up is the gap between where you are and where you could be &#8211; for that client, the stretch between 1.4 and 2. That gap is capacity they were already paying for, and the real decision is what they&#8217;d want it back for. They could spend it driving toward the 2 (more revenue through the same team &#8211; i.e. increase delivery efficiency by adding sales), or hold revenue where it is and invest in increased efficiency to move the doing, and the decisions, away from the owner and into the team.</p>
      <p>But the gap doesn&#8217;t turn into money on its own &#8211; unlocking it takes deliberate effort, or investment. Where to aim that effort depends on two things: the ratios tell you where the waste is, and the skill already inside the team tells you which fix is open to you. If the skill is there, aim at handover: define what a good outcome looks like for one piece of work &#8211; the simplest guide rail there is &#8211; and hand the whole piece over. Your team member makes the calls inside that piece, the million questions stop coming, and you get room back to define the next outcome. When growth comes, the management ratio will record the change &#8211; the same management wages supporting more margin, because growth no longer has to route through you. If the skill isn&#8217;t there, aim at delivery: build the guide rails there first, drive the direct ratio up, and use the margin you recover to fund the skilled hire who takes over the areas trapping you. Either decision makes sense if the numbers do.</p>
      <p>Another client came at the same investment question from the hiring side this year. The question on the table was whether to add people, and a capacity model we built alongside the ratios &#8211; the team&#8217;s available hours set against the year&#8217;s revenue goal &#8211; showed that the team they already had, plus one hire, could deliver the whole year. The reflex said &#8220;we need people,&#8221; and the numbers said one. And the gap between those answers is where the freedom comes from: the money that would have gone on those extra wages can go instead into the guide rails, and into the roles that free the owner up.</p>
      <p>My finger doesn&#8217;t bend anymore; that price is paid, and it stays paid. The hard lesson it left me with is that being present is as important as being there &#8211; if not more. The prices you&#8217;re paying in the business don&#8217;t have to stay paid: the wish to work for us rather than be us was never really about the employee&#8217;s job &#8211; it was about breathing space, room to work in flow on the things you enjoy, and being in charge of the company rather than trapped inside it. And that room, it turns out, is something the P&amp;L can help you buy.</p>
      <p>The labor efficiency ratio is one measure; the Financial Scorecard shows you the rest of the picture. It&#8217;s seven sliders and about two minutes: answer with how the money side runs today, not how you&#8217;d like it to run, and it shows you where your finances sit &#8211; and which gap is worth closing first. There&#8217;s no email to hand over and nothing to sign up for, and nothing you answer is stored anywhere &#8211; it&#8217;s meant to be useful whether we ever speak or not.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Three questions to sit with</h2>
    <div class="prose">
      <ul>
        <li>Before you work your labor efficiency ratios for the last four quarters, which way are you afraid they&#8217;ll point?</li>
        <li>Which decisions still have to route through you &#8211; and what would your team need from you to make the next one without you?</li>
        <li>Do you know which of the wages you pay are direct and which are management &#8211; and whether each side is earning its keep?</li>
      </ul>
    </div>
  </section>
<p class="fine" style="margin-top:14px;">More on the two jobs an owner runs at once: <a href="https://stoneforgegroup.com/questions/where-should-the-owner-stand/">Where should the owner stand in the business &#8211; and why does it matter? &rarr;</a></p>
<hr>
<p><em>Originally published at <a href="https://stoneforgegroup.com/insights/art-of-losing-a-finger/">stoneforgegroup.com</a>.</em></p>
<p><em>Fractional Revenue Leader (Fractional CRO) and Fractional Financial Leader (Fractional CFO) for owner-led businesses, $1–20M.</em></p>
]]></content:encoded>
  </item>
  <item>
    <title>Thinking big and small</title>
    <link>https://stoneforgegroup.com/insights/thinking-big-and-small/</link>
    <guid isPermaLink="true">https://stoneforgegroup.com/insights/thinking-big-and-small/</guid>
    <pubDate>Wed, 09 Sep 2026 09:00:00 +0000</pubDate>
    <dc:creator>James Walls</dc:creator>
    <description>A $34 undershirt becomes ten shirts at $22 apiece, because every increment costs the seller almost nothing more. Why small work carries the best margin you will book all year, and how chunking a stalled proposal changes the shape of the decision without shrinking the deal.</description>
    <content:encoded><![CDATA[<p><img src="https://stoneforgegroup.com/assets/img/insights/thinking-big-and-small.jpg" alt="A mare and her foal standing close together in a herd of horses" width="1280" height="720"></p>
<section class="reveal no-line" style="padding-top:24px;">
    <div class="prose">
      <p>I live in Florida, and it&#8217;s hot &#8211; feels like 105 degrees plus by 2pm hot, for at least eight months of the year. For a guy with no hair, the sweat never gets trapped. Shirts soak easily &#8211; I&#8217;ve mastered the disheveled look effortlessly. Lately I&#8217;ve been hunting for a better undershirt &#8211; a good skin-tone one that disappears under a shirt is surprisingly hard to find, and the discomfort of looking shabby is a real thing for me. Last week we found Mr. Davis.</p>
      <p>The first thing I saw was the price: $34 &#8211; for an undershirt!? That struck me as insane, but I persevered.</p>
      <p>The second thing I saw was what happened to that price as I added to the cart. Subscribe (on the theory that everything wears out) and they&#8217;ll send you new shirts every few months at a VIP discount &#8211; which applies to your first order too, so the $34 becomes $28 before you&#8217;ve bought a thing. Add a second shirt and shipping is free. Keep adding, and the discount on the next shirt keeps deepening, until at ten shirts you&#8217;re paying just under $22 apiece, delivered.</p>
      <p>I bought ten shirts.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">An opening gambit, not a price</h2>
    <div class="prose">
      <p>The $34 shirt isn&#8217;t really a price &#8211; it was just an opening gambit. They never wanted to sell me just one shirt. But what the $34 did do was make a statement about supposed quality &#8211; this isn&#8217;t your $7 Jockey undershirt!</p>
      <p>But back to the discounts &#8211; this isn&#8217;t about generosity &#8211; it&#8217;s about making higher profits. We all know the actual production cost is minor &#8211; insignificant even in the scheme of things &#8211; likely $3&#8211;$6 in bulk for a good one. But here&#8217;s the math: a ten-shirt order needs picking once, labeling and shipping once, one invoice and one transaction &#8211; exactly what a one-shirt order needs. The subscription does the same job over time: they never have to go looking for their next customer, because I&#8217;m already there. Everything across their business becomes more efficient and more lucrative the more that&#8217;s ordered (up to a point). They shared a slice of that gain with me as a discount, and kept the lion&#8217;s share.</p>
      <p>Robert Cialdini named both halves of this move in his seminal book, Influence, years ago. The first is rejection-then-retreat &#8211; and Mr. Davis runs the retreat without even waiting for the rejection: the $34 exists so that every step down from it feels like a concession in your favor. The second is commitment and consistency &#8211; every yes makes the next one easier. Mr. Davis ran both on me in a single cart &#8211; I could see it happening, and bought the ten shirts anyway.</p>
      <p>And that&#8217;s worth pausing on, because persuasion mechanics are always present in a sale &#8211; whether you know you&#8217;re using them or not. The only real choice is whether you use them ethically, and that part is absolutely key. What made Mr. Davis&#8217; version easy to live with is that none of it was false: a real product, real efficiency in the increments, and a real share of the gain handed back.</p>
      <p>Mr. Davis sells shirts. The same arithmetic is true for those of us who sell time, expertise, or the effort of others &#8211; each increment added onto an existing engagement carries more margin than the one before it.</p>
    </div>
    <p class="pull">Small work isn&#8217;t small money &#8211; it&#8217;s revenue landing on capacity you&#8217;ve already paid for.</p>
  </section>

  <section class="reveal">
    <h2 class="sec">Incrementing Up and Down</h2>
    <div class="prose">
      <p>The increment works in two directions. The first direction is addition &#8211; Mr. Davis&#8217; direction. Every services business has light weeks; the big jobs never quite fill the calendar. Small pieces of work added onto what exists, like a quick-start project for a client you already serve, are easy to say yes to and fast to deliver, and they give the people you&#8217;re paying anyway something billable to do in those weeks. The margin on that work is the best margin you&#8217;ll book all year. You add when the capacity is already paid for and the year needs money &#8211; the payoff is efficiency and profit.</p>
      <p>The second direction is subtraction &#8211; though it&#8217;s the decision that gets cut down, never the deal. Somewhere in your <button type="button" class="gt" aria-expanded="false" aria-controls="gd-pipeline">pipeline</button> there may be a large proposal that has been sitting for weeks &#8211; the big one, the whole solution, priced accordingly. It&#8217;s tempting to decide why it stalled, but deals go quiet for all sorts of reasons, and you&#8217;re rarely told the real one. What you do control is the structure of the ask &#8211; and when you&#8217;re working closely enough with a client to see how the decision looks from their side, structure becomes vitally important. Even when the client is asking for lots, the question is how to shape it into easier, quicker, consistent yeses.</p>
      <span class="gd" id="gd-pipeline" role="note"><b class="gd-t">Pipeline.</b> Every live opportunity the business is working on, with where each one has actually reached. <a href="https://stoneforgegroup.com/glossary/#pipeline">Full entry &rarr;</a></span>
      <p>This is where Cialdini&#8217;s commitment and consistency earns its keep: Don&#8217;t lead with one big decision. Break the work into smaller chunks, in a logical order, and lead with the piece that&#8217;s foundational, non-contentious, or both &#8211; something the client can agree to without a committee, at full price, delivered inside a month, producing a result they can see. Nothing about the deal has shrunk, and nothing is discounted; the overall book of business may end up exactly the same. What&#8217;s changed is the shape of the decision &#8211; from one big yes they can&#8217;t give you to a first small yes they can.</p>
      <p>&#8220;Don&#8217;t leave money on the table&#8221; assumes bundling into a single big transaction is best. In a relationship business, that may be the slowest path to victory for you and your client &#8211; and it can lose you the deal AND the relationship if you&#8217;re not fundamentally aligned.</p>
      <p>And for the proposal that went quiet after the price landed, the restructure doubles as a test &#8211; not a new document into the same silence, but a reason for a conversation. &#8220;Hey, I&#8217;ve had an idea &#8211; a different approach I want to run by you.&#8221; What you&#8217;re offering is the first deliverable only &#8211; the piece the client needs first, the one the rest of the work depends on &#8211; with options to move forward after it, so you&#8217;re no longer asking for a commitment to everything all at once. It may well end up as a proposal structured exactly that way, but the intent is to get the deal moving again. It&#8217;s also rejection-then-retreat arriving the ordinary way around: the silence was the rejection, and the smaller ask is the retreat. A client who was choking on the size of the decision takes the conversation; a client who stays silent has answered you too. Both are worth more than another month of wondering.</p>
      <p>Then consistency starts working for you. The client who has said yes once, and watched the work land, finds the second yes easier than the first &#8211; and the third easier again. That&#8217;s the repeating pattern of yes: every delivered piece is both revenue and the case for the next one. Mr. Davis&#8217; cart was the fast version of this &#8211; ten shirts, one small yes at a time, in a single sitting. Your client gets to the full engagement the same way, more slowly, with delivered work between the yeses instead of a deeper discount. You subtract when the decision has grown too big to say yes to &#8211; the payoff is acceptance, consistency, and a deal that&#8217;s finally moving.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">This year, and next</h2>
    <div class="prose">
      <p>Which direction, and when, is situational. Entering the fourth quarter, a whale mostly pays next year &#8211; big deals take months to sign and longer to deliver &#8211; while small, rapidly deliverable deals pay this year. Choosing the mix is deciding what the business needs more right now: this year&#8217;s money, or next year&#8217;s platform.</p>
      <p>This is playing out right now in a business I&#8217;m working with. We have a gap of $1 million against a target of $7 million. So that doesn&#8217;t look too bad. The problem is that we&#8217;ve been 34 days without closing a deal. We have $3 million of pipeline, but it&#8217;s still early stage.</p>
      <p>So here&#8217;s the million-dollar question: do we chase a whale? Or do we chase new smaller deals?</p>
      <p>The answer in this case was to first understand what mattered most. For this business it was momentum &#8211; because momentum builds confidence, and the confidence matters more than the absolute of what we did this year. Earlier in the year, when our tails were up, we did better. It&#8217;s the same consistency principle, pointed at your own team: every delivered piece is a yes your own people get to bank, and 34 days of nothing is the machine running in reverse.</p>
      <p>Then we took a look at the existing pipeline to figure out what was stalling it: whether big, difficult proposals needed decisions that were likely to delay. Did we have the ability to take each of these deals and chunk them down? Could we get an umbrella agreement in place &#8211; one master contract, so each statement of work needs a signature, not a negotiation &#8211; and get small immediate statements of work moving, each leading into the next piece, so that we&#8217;re delivering something while the next round of approvals goes on?</p>
      <p>That&#8217;s the path we&#8217;re taking, and the theory is that we might still land the big deals as bycatch while we focus on the chunking and the small ones. With the existing deals, getting them unstuck &#8211; momentum building, work delivering &#8211; is the thing that is going to make the year successful right now.</p>
      <p>That focus &#8211; the stalled deals chunked down first, the big ones still live but no longer carrying the year &#8211; also derisks it. A year built on ten small commitments from clients who already trust you fails differently than one hanging off a single big deal that hasn&#8217;t decided yet. If the big fish gets away &#8211; and big fish get away &#8211; the year doesn&#8217;t go with it.</p>
      <p>As Earl Smooter says: &#8220;You can&#8217;t ride two horses with one ass, sugarbean.&#8221;</p>
      <p>That&#8217;s the whole trick of thinking big and small: know which one the year is asking of you, and answer. If you don&#8217;t, the decision will be made for you &#8211; and probably not in the way you want.</p>
      <p>Start with the deal you&#8217;d chunk down. The Five-Stage Deal Guide walks that deal through the five stages &#8211; prospecting, <button type="button" class="gt" aria-expanded="false" aria-controls="gd-qualification">qualification</button>, discovery, scope-and-alignment, proposal &#8211; and shows you the first stage it can&#8217;t clear once you&#8217;re honest with yourself. The stage it stalls at usually points to what the first increment should be. There&#8217;s no email to hand over, nothing to sign up for, and nothing you answer is stored anywhere &#8211; it&#8217;s meant to be useful whether we ever speak or not.</p>
      <span class="gd" id="gd-qualification" role="note"><b class="gd-t">Qualification.</b> Deciding, on evidence rather than optimism, whether an opportunity is real – whether something is genuinely pushing the buyer to act, whether the people who can decide are involved, and whether the work fits what the business does well. <a href="https://stoneforgegroup.com/glossary/#qualification">Full entry &rarr;</a></span>
      <p>You get the point... Just add one more</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Three questions to sit with</h2>
    <div class="prose">
      <ul>
        <li>How many light weeks did your team have last quarter &#8211; and what filled them?</li>
        <li>Which pending deal could you accelerate by chunking it down &#8211; getting agreement on the foundational or non-contentious pieces so the work gets underway?</li>
        <li>What incremental additions could you action inside your existing deals to lift margin or efficiency?</li>
      </ul>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">How this was written</h2>
    <div class="prose">
      <p>Idea, argument, stories and the connections between them: James Walls. Drafting, from James&#8217;s material: Claude (AI). Structure and flow: James Walls, with Claude checking the seams. Copy editing and consistency checks: Claude (AI). Corrections, final wording and judgment: James Walls.</p>
      <p>The thinking isn&#8217;t delegated; the typing and the checking are. James uses custom-developed AI skills to check style, structure, and facts against his own standards.</p>
    </div>
  </section>
<p class="fine" style="margin-top:14px;">More on the proposal that goes quiet: <a href="https://stoneforgegroup.com/questions/why-do-deals-stall-and-go-quiet/">Why do deals stall at the proposal and quietly go nowhere? &rarr;</a></p>
<hr>
<p><em>Originally published at <a href="https://stoneforgegroup.com/insights/thinking-big-and-small/">stoneforgegroup.com</a>.</em></p>
<p><em>Fractional Revenue Leader (Fractional CRO) and Fractional Financial Leader (Fractional CFO) for owner-led businesses, $1–20M.</em></p>
]]></content:encoded>
  </item>
  <item>
    <title>Attawhat?</title>
    <link>https://stoneforgegroup.com/insights/attawhat/</link>
    <guid isPermaLink="true">https://stoneforgegroup.com/insights/attawhat/</guid>
    <pubDate>Wed, 02 Sep 2026 09:00:00 +0000</pubDate>
    <dc:creator>James Walls</dc:creator>
    <description>Hancock is told to flatter people, and does it badly. Why an owner’s attaboys land as weird, how a run of true compliments can add up to a false one, and what an aim needs to have in it before anyone can tell whether it was reached.</description>
    <content:encoded><![CDATA[<p><img src="https://stoneforgegroup.com/assets/img/insights/attawhat.jpg" alt="Taiga, a small black and tan dog, sitting up on her hind legs on a path, begging" width="1280" height="720"></p>
<section class="reveal no-line" style="padding-top:24px;">
    <div class="prose">
      <p>An underrated anti-hero movie of relatively recent times &#8211; and it is somehow eighteen years old now &#8211; is Hancock. One of the things I remember fondly is Jason Bateman&#8217;s character, Ray, instructing Will Smith&#8217;s titular character that one of the ways to redeem himself is to flatter other people with acknowledgement. So Hancock goes about saying &#8220;good job&#8221; in an uncomfortable, stilted way, to people who never asked him for his opinion.</p>
      <p>I know how that feels from the receiving end. Every time an employee told me I was doing a good job, it landed as weird. Slightly suck-uppy, if I&#8217;m honest about my first reaction &#8211; which is a rotten thing to think about somebody who has just said something kind to you, and it bothered me for years that I thought it.</p>
      <p>I&#8217;m not American, so it took me longer than it should have to learn the word for this type of praise. I knew &#8217;attaboy&#8217; as football-field language &#8211; a slap on the backside and off you go. It was a surprise to find it used at work, in earnest, as truncated praise. And it turned out I&#8217;d been collecting them my entire working life.</p>
      <p>During the years where I held senior roles I was given plenty of attaboys, and not one of them ever did anything for me either. They just didn&#8217;t matter. My success was measured on agreed metrics and KPIs &#8211; written down, signed up to &#8211; so whatever anybody said to me in a corridor, the question of whether I was doing a good job was going to be answered somewhere else. My boss gave me encouragement, and neither of us ever confused the encouragement with achievement.</p>
      <p>Then I owned my own company, and the measures stayed behind with the old job. Nobody sets an owner&#8217;s KPIs. Nobody sits you down in March to agree what the year is supposed to produce, and nobody tells you in December whether you did it. All that&#8217;s left is what people say to you.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Everybody is reading something real</h2>
    <div class="prose">
      <p>For a while I interpreted any received praise as politics, and beyond politics, as the way recognition in general has gone. We live in a society where recognition is increasingly bought rather than earned &#8211; I watch the fervent campaigning that accompanies the local Best of SRQ awards here in Sarasota every year, and the winners are the ones who asked hardest. It was a tidy theory, and I liked it, because it let me put every attaboy I&#8217;d ever been handed in the same bin as the awards and stop thinking about it.</p>
      <p>It wasn&#8217;t the answer, though, and the reason it wasn&#8217;t is that the people praising me actually, as far as I could ever tell, meant every word. Hancock at least had the excuse of being told to say it. The people who said it to me had no such excuse, and it still did nothing for me.</p>
      <p>The problem is position. The employee who told me I was doing a good job could see some of what I did and none of what it produced. A supplier who tells you that you&#8217;re running a good operation may believe every word of it, and he has still never seen what your <button type="button" class="gt" aria-expanded="false" aria-controls="gd-gross-margin">gross margin</button> did last quarter. Your operations manager watches the work every day and has never seen the stress and planning and corrections you made at midnight. The <button type="button" class="gt" aria-expanded="false" aria-controls="gd-accountant">accountant</button> sees your profit number, but not your sacrifice. All of them are reading something real. None of them is reading whether the business is achieving your aims better now than it was a year ago.</p>
      <span class="gd" id="gd-accountant" role="note"><b class="gd-t">Accountant.</b> A professional who prepares, reviews and interprets a business's financial records – producing the statements, handling tax filings, and advising on how the numbers should be treated. <a href="https://stoneforgegroup.com/glossary/#accountant">Full entry &rarr;</a></span>
      <span class="gd" id="gd-gross-margin" role="note"><b class="gd-t">Gross Margin.</b> The percentage of revenue a company keeps after covering the direct costs of producing the goods or services it sold (COGS). <a href="https://stoneforgegroup.com/glossary/#gross-margin">Full entry &rarr;</a></span>
      <p>The people who could get closest to that &#8211; a co-owner, a trusted advisor who has watched three years of it &#8211; aren&#8217;t the ones catching you by the coffee machine, and most owners haven&#8217;t got them anyway.</p>
      <p>None of which stops praise feeling good to many people. It does, and that&#8217;s not a failing; the pleasure is real. It&#8217;s just that the pleasure and actual achievement are two different things. Which, I eventually realized, is all the weird feeling ever was &#8211; some part of me knew the real achievement and satisfaction weren&#8217;t there, long before I could say why.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">The attaboys I hand out</h2>
    <div class="prose">
      <p>I could have left it there, as one of the stranger perks of the job, except that I hand them out too, and I&#8217;ve done damage with them.</p>
      <p>There&#8217;s a version of this most of us have run. You hire someone and it&#8217;s just not working out as you needed. They&#8217;re trying hard &#8211; and every so often they do something tactically right: a part of job delivered well, a customer handled properly, a week where the numbers behave. So you hunt out the goodness and express that. You say it partly because it&#8217;s true and partly because you&#8217;re hoping the encouragement will carry them toward the big problem they&#8217;re not solving.</p>
      <p>It never does. The attaboy is accurate &#8211; about the job, the customer, the week &#8211; and that&#8217;s exactly what makes it dangerous, because what they hear is that they&#8217;re doing a good job. The problem gets to stay where it is, with your endorsement now sitting on top of it. Then comes the inevitable day when it can&#8217;t go on, and it lands as a shock and an unwelcome surprise, because everything they&#8217;d ever been told was that they were doing fine. I&#8217;ve done this, and I&#8217;ve watched it done, always to good people who deserved better.</p>
    </div>
    <p class="pull">The tyranny of attaboys is that they can assemble into a run of true statements that add up to a false one.</p>
    <div class="prose">
      <p>None of this means real genuine praise shouldn&#8217;t be given, or effort go unrecognized. It should be. The fault is praise alone &#8211; handing somebody an attaboy as the entire means of moving them toward the problem they&#8217;re not solving.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">What praise alone trains</h2>
    <div class="prose">
      <p>I&#8217;m working at the moment with an owner who is handing his business to his son, and the son takes his whole reading of how he&#8217;s doing from what his father tells him. The attaboys given are meant every time &#8211; and every one of them tells the son how his father feels, much more than the real strategic progress that&#8217;s being made towards a succession outcome.</p>
      <p>Praise alone &#8211; heartfelt or not &#8211; trains tactical thinking at best, and at worst something closer to Pavlov&#8217;s dogs, where the work stops being the point and the response becomes the point.</p>
      <p>And it&#8217;s gradual, insidious even. What a person learns is where the praise lives, rather than whether the work is any good. The strategic work is usually the unpopular work, and nobody applauds in the middle of it. So the popular task gets done, the difficult work gets put back another week, and there&#8217;s never a day you could point at afterwards and say that was where it went wrong.</p>
      <p>The strange part is that the same owner doesn&#8217;t run himself on praise at all. He measures himself on the number of people the business can support &#8211; properly support, meaning good wages, work worth doing, and enough left over for their families. Nobody has ever given him an attaboy for that, and an attaboy couldn&#8217;t touch it. It doesn&#8217;t move because he had a good meeting. It moves when the business is carrying more people than it did last year, on wages that hold when a slow quarter arrives.</p>
      <p>It has never occurred to him to give his son a measure like it.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">What has to be said out loud</h2>
    <div class="prose">
      <p>What&#8217;s missing &#8211; for the son, for the employee I kept encouraging, for the owner most of all &#8211; is what my old employer used to give me, and it doesn&#8217;t take a corporate apparatus: an aim (or series of aims) written down, shared with somebody appropriate, and committed to, plain enough that in a year both of you would know whether it was reached.</p>
      <p>A real aim doesn&#8217;t need a judge. It sits in the business rather than in anybody&#8217;s opinion of you &#8211; it moved or it didn&#8217;t. Nobody can talk that up, and no attaboy can move it. By all means find the co-owner, the accountant, and the honest room as well; but they&#8217;ll be reading the same instrument you are, and somebody has to have built it first.</p>
      <p>You do this work twice over. Once for yourself, because nobody else is going to. And once for everybody who depends on you, because until they have an aim of their own, the only instrument you&#8217;ve handed them is your own face.</p>
      <p>I did what I suspect most owners do. With nobody to set an aim for me, I set myself a number and went after it. What I had, it turns out, was half an aim &#8211; and I know that because I reached the half I had.</p>
      <p>The number of times I&#8217;ve sacrificed one part of my life for another is not something I&#8217;m proud of. The evenings at my computer building something, when I should have been taking care of the parts of my life that were every bit as meaningful as the work, and most likely more so &#8211; those being, after all, what the work was supposed to be for. I got where I was going, and the benefit to me and to my family was real. But the arguments and the tension along the way, all of it coming out of my own ignorance about what balance was actually for, made the result hollow by the time it arrived. Distasteful, even. The number was met. I&#8217;ve never once enjoyed looking at it.</p>
      <p>Praise is always temporary. Doing something that satisfies is enduring &#8211; and what satisfies is not only what you reached, but what you were and were not prepared to do to reach it.</p>
      <p>The right aim, executed the wrong way, comes out hollow. If you ignore your family to build a better future for them, the victory is undermined.</p>
      <p>So an aim has two halves and it&#8217;s a sentence, not a document: here is what we&#8217;re going for this year &#8211; and here is what we&#8217;re going to and not going to do to get there. And the &#8217;not&#8217; is the important guide-rail, as opposed to all-encompassing: We&#8217;re not buying it by dropping price, we&#8217;re not buying it by burning out the two people who&#8217;d have to deliver it, and we&#8217;re not ignoring our families to get there.</p>
      <p>No one ever communicates what you&#8217;re not going to do to reach your aim &#8211; and it&#8217;s very much needed in this day and age.</p>
      <p>And then the aim needs driving, because getting the initial conversation is only the start. An aim agreed in January and then left alone until December tells you nothing about the work while the work is happening &#8211; no more than the attaboys ever did. The aim needs regular monitoring, both halves of it: is it moving, and are we still getting there the way we said we would? Mine had only the first half, and the first half drove itself. The second was never said, so nothing was watching what the getting there was costing &#8211; until the result came in and told me.</p>
      <p>And the satisfaction isn&#8217;t only for the person doing the work. Whoever is handing out the attaboys gets very little from them either &#8211; what the giver actually gets, when it works, is the satisfaction of watching somebody take on the difficult, unpopular work and deliver the outcome. Neither side has that available until both halves of an aim have been said out loud, and driven.</p>
      <p>Do that, and the attaboy can go back to being what it always should have been: a good thing somebody says on the way past, like on the football field, rather than the only tool anybody is using.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Aiming True</h2>
    <div class="prose">
      <p>So, what are your real aims? Are they well explored and actionable through your efforts and others? Doing this right strategically and tactically starts with understanding your real aim. Most owners have the number in their head; what they don&#8217;t have is the rest of the aim.</p>
      <p>Getting underneath that is a conversation I have with owners most weeks, and at Stoneforge we&#8217;ve put a short version of it online as the Real-Aim Test: what the number is standing in for, and what you would and wouldn&#8217;t do to reach it. There&#8217;s no email address to hand over and nothing is stored anywhere, because it&#8217;s meant to be useful to you whether we ever speak or not.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Two questions to sit with</h2>
    <div class="prose">
      <ul>
        <li>Think of the last time somebody told you that you&#8217;d done a good job &#8211; what did they actually know about the work?</li>
        <li>What is the last thing you did that satisfied you &#8211; both in what you reached and in how you went about reaching it &#8211; whether or not anybody noticed?</li>
      </ul>
    </div>
  </section>
<p class="fine" style="margin-top:14px;">The same question, written out: <a href="https://stoneforgegroup.com/questions/am-i-chasing-the-right-goal/">Am I chasing the right aim &#8211; or just a number? &rarr;</a></p>
<hr>
<p><em>Originally published at <a href="https://stoneforgegroup.com/insights/attawhat/">stoneforgegroup.com</a>.</em></p>
<p><em>Fractional Revenue Leader (Fractional CRO) and Fractional Financial Leader (Fractional CFO) for owner-led businesses, $1–20M.</em></p>
]]></content:encoded>
  </item>
  <item>
    <title>Profit is a dirty word</title>
    <link>https://stoneforgegroup.com/insights/profit-is-a-dirty-word/</link>
    <guid isPermaLink="true">https://stoneforgegroup.com/insights/profit-is-a-dirty-word/</guid>
    <pubDate>Tue, 25 Aug 2026 09:00:00 +0000</pubDate>
    <dc:creator>James Walls</dc:creator>
    <description>A dealership sells the car at a loss and makes its money on the servicing years later. Why profit stopped being something owners aim at, and what the number actually measures.</description>
    <content:encoded><![CDATA[<p><img src="https://stoneforgegroup.com/assets/img/insights/profit-is-a-dirty-word.jpg" alt="A new Volkswagen Tiguan parked on a driveway in the Florida sun" width="1280" height="720"></p>
<section class="reveal no-line" style="padding-top:24px;">
    <div class="prose">
      <p>Three weeks ago Kristina and I leased a new car &#8211; a Volkswagen Tiguan, a great little car. This wasn&#8217;t our first rodeo though &#8211; we&#8217;ve bought and leased many cars over the years.</p>
      <p>So, we did the homework long before we set foot on the lot &#8211; where a dealer&#8217;s money really sits, how much of any opening offer exists purely to be negotiated away &#8211; and we knew where we wanted the deal to end up before anyone shook hands. After a decent amount of back and forth, we got to what we consider a good deal.</p>
      <p>What I hadn&#8217;t expected was what came after the handshake. Their finance manager (a towering Scotsman with a fantastic accent and a magnificent beard) went through the numbers with us and showed us where the dealership had ended up: on the car itself, they ended about two thousand dollars down. He wasn&#8217;t sore about it and he wasn&#8217;t fishing for sympathy. They had told us at the start that they were a volume dealer, and it turns out that isn&#8217;t a euphemism for thin margins and optimism &#8211; the car goes out at a loss, deliberately, because what pays is the servicing that follows it over the years, a good part of which, he said, Volkswagen covers. The car is the loss leader. The service department is the business.</p>
      <p>And we hadn&#8217;t caught them out by pushing hard on the price, either. Their people had known where that number would end up before we ever started, and he was entirely comfortable with it.</p>
      <p>I&#8217;ve been thinking about that conversation ever since. Here was a man telling a customer, to his face, that his business fully intended to make money out of the relationship &#8211; just not on the car, and not this month. He wasn&#8217;t dressing it up and he wasn&#8217;t apologizing for it. When did that become unusual?</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Not bad arithmetic</h2>
    <div class="prose">
      <p>Because it is unusual. The owners we sit with are not bad at making money, and they are not kidding themselves about volume &#8211; most can do the sums perfectly well. What has happened is quieter than bad arithmetic. Profit has stopped being something they aim at and become something that either happens at the end of the year or doesn&#8217;t, and for a good number of them it has picked up a faint smell of self-interest, as though a business making good money must be making it at somebody else&#8217;s expense. Less a target than an accusation.</p>
      <p>Some of that we&#8217;ve been taught by watching from a distance. SpaceX is valued somewhere north of a trillion dollars and lost close to five billion of them last year, on revenue of eighteen and a half. Amazon was unprofitable for years after it listed and is now one of the most valuable companies on earth. Hear enough of that and you reasonably conclude that profit is something you get to later, and that the real game is growth, or scale, or share of the market.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">What Amazon and SpaceX actually do</h2>
    <div class="prose">
      <p>Those examples are misread. In that same year, Starlink &#8211; the satellite arm inside SpaceX, twelve million subscribers paying about sixty-six dollars a month &#8211; earned something like four and a half billion dollars of operating profit on its own, and the group still lost five. What Starlink makes is being poured into the parts of the company that make nothing yet. Amazon spent everything it earned and more on growth, expensing it as it went, so the reported profit stayed near zero while the company was ruthless about the economics of every single unit it sold. Neither company is indifferent to profit. Both know precisely which part of the business pays and which part is being paid for &#8211; which is the dealership&#8217;s arrangement with several more zeroes on it.</p>
      <p>What doesn&#8217;t transfer is the funding underneath it. When a company isn&#8217;t being valued on fundamentals like profit, it&#8217;s being valued on sentiment &#8211; on potential &#8211; and sentiment will carry a business for as long as investors are willing to make up the difference between what it spends and what it earns. SpaceX raised twenty-six billion dollars in a single year doing exactly that. A business turning over three or five or fifteen million has nobody making up anything: what it invests next year comes out of what it earned this year, or it simply doesn&#8217;t happen.</p>
      <p>For us mere mortals, potential and five dollars will still only get you one cup of coffee. Sooner or later, the chickens will come home to roost.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Add value, or destroy it</h2>
    <div class="prose">
      <p>That is the respectable half of it. The other half has nothing to do with valuations at all.</p>
      <p>So is it also that profit is seen as exploitative? Distasteful, even? That an owner focused on it is a miser &#8211; underpaying the staff, squeezing the suppliers, taking more than their share out of the community they trade in? I think it is close to that, and I think it comes from the same place as hearing the word &#8220;budget&#8221; as a constraint, a thing that stops you doing what you want, rather than as a focus tool for meeting an aim.</p>
      <p>I was taught something different, and I&#8217;ve never found a reason to abandon it. Not in a boardroom, either, and not on any course I paid for &#8211; in basic economics, at high school. The aim of any business, any endeavor, is to add value &#8211; as opposed to destroying it.</p>
    </div>
    <p class="pull">Profit is simply <em>the numeric expression of value</em>.</p>
    <div class="prose">
      <p>That isn&#8217;t a sophisticated position. It is the foundational one, the first thing anybody is told about why businesses exist at all &#8211; and somewhere between a high school classroom and here, a good many of us have quietly stopped believing it.</p>
      <p>When a business earns a positive return on the money, the materials, and the hours that went into it, value has been added, and the number tells you how much.</p>
      <p>Which is why the business making no profit is not the virtuous one in the room. It can&#8217;t pay above the market (or at the market in many cases), can&#8217;t invest in the people who work there, and can&#8217;t survive a bad year without a supplier waiting longer for payment or the owner putting their own money back in. And a loss is not a neutral outcome, whatever modesty we dress it in; it is value being destroyed &#8211; the money that went in, the work that could have come next, and eventually the jobs the business was holding up. The damage arrives more slowly than the miser&#8217;s, and more quietly, which is the only reason it passes for restraint.</p>
      <p>A miser isn&#8217;t made by caring about profit, either. A miser is made by not caring where the profit came from &#8211; what it cost, and who or what was exploited to produce it &#8211; and then by caring only about the accumulation itself, rather than what any of it is for.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Profit IS the vehicle</h2>
    <div class="prose">
      <p>Very few people got into business purely to make money. They got into it to build something, or to be their own boss, or to do the work properly for once, or to prove themselves, or to look after the people who depend on them. Profit is not a rival to any of that. It is what makes it possible, and then what lets it reach past the handful of people you could look after out of your own pocket.</p>
      <p>If your aim is to help people, a million dollars of help will reach vastly more of them than one dollar will.</p>
      <p>Which is what the discomfort actually costs. If the word makes you uneasy, you don&#8217;t look at it very closely &#8211; and the number you don&#8217;t look at is the one quietly deciding what the business can do next, who you can hire, and what you can pay them.</p>
      <p>That finance manager told us where the dealership was going to make its money, and roughly when, and he was just as plain about what it was costing them to get there. Nowhere in any of it was there a suggestion that intending to make money was something he ought to be embarrassed about. That is what it looks like when profit isn&#8217;t a dirty word.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Steering the (space)ship</h2>
    <div class="prose">
      <p>If any of this lands, the practical question is whether you can see the thing you would be steering by. Most owners can see the bank balance and last year&#8217;s accounts. Rather fewer can see which clients and which services are actually carrying the margin, or what next quarter&#8217;s cash looks like while there is still time to do something about it &#8211; and if you can&#8217;t see it, you end up running the finances on instinct, which is a fine way to start a business and a poor way to grow one.</p>
      <p>There is a short scorecard on our site that asks exactly that, in seven questions: whether you can see the margin underneath the revenue, whether the cash <button type="button" class="gt" aria-expanded="false" aria-controls="gd-forecast">forecast</button> reaches far enough ahead to be useful, and whether the numbers and the plan are pointed at the same place. It takes about two minutes, and at the end it tells you whether the business is being run on instinct, on insight, or on outcomes, and which gap is worth closing first. There&#8217;s no email to hand over, nothing to sign up for, and nothing you answer is stored anywhere &#8211; it&#8217;s meant to be useful whether we ever speak or not.</p>
      <span class="gd" id="gd-forecast" role="note"><b class="gd-t">Forecast.</b> A forward view of what the numbers will do, built from what the business knows now – work already won, work likely to be won, costs already committed, and the timing of both. <a href="https://stoneforgegroup.com/glossary/#forecast">Full entry &rarr;</a></span>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Two questions to sit with</h2>
    <div class="prose">
      <ul>
        <li>If profit is the vehicle, what is the destination &#8211; and have you ever said it out loud to the people who work for you?</li>
        <li>Which parts of what you do actually earn you money &#8211; and how sure are you of the answer?</li>
      </ul>
    </div>
  </section>
<p class="fine" style="margin-top:14px;">Sense it&#8217;s the selling rather than the numbers? <a href="https://stoneforgegroup.com/where-its-stuck/">The 30-second test sorts it &rarr;</a></p>
<hr>
<p><em>Originally published at <a href="https://stoneforgegroup.com/insights/profit-is-a-dirty-word/">stoneforgegroup.com</a>.</em></p>
<p><em>Fractional Revenue Leader (Fractional CRO) and Fractional Financial Leader (Fractional CFO) for owner-led businesses, $1–20M.</em></p>
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  </item>
  <item>
    <title>How to get ghosted with your next proposal</title>
    <link>https://stoneforgegroup.com/insights/how-to-get-ghosted/</link>
    <guid isPermaLink="true">https://stoneforgegroup.com/insights/how-to-get-ghosted/</guid>
    <pubDate>Wed, 19 Aug 2026 09:00:00 +0000</pubDate>
    <dc:creator>James Walls</dc:creator>
    <description>Hear a yes that was never said, skip discovery, propose the moment the business checks out. The five stages a deal moves through, and how to close out a proposal that has gone quiet.</description>
    <content:encoded><![CDATA[<p><img src="https://stoneforgegroup.com/assets/img/insights/how-to-get-ghosted.jpg" alt="A figure draped in a white sheet, wearing sunglasses and holding a vintage camera" width="1280" height="720"></p>
<section class="reveal no-line" style="padding-top:24px;">
    <div class="prose">
      <p>There have been at least four occasions in my professional life where I&#8217;ve pulled an all-nighter to write a comprehensive proposal. Strange things happen in the small hours. The attempts to stay awake and break the monotony by building a waste-paper football. The sheer agony of pressing Print on the mega-proposal before remembering to press Save, and having the laptop crash with no way to recover (ah... the joys of Windows 7!). Finishing the thing at four in the morning, only to become chauffeur to a colleague who lives an hour away and has gotten so tired he can&#8217;t remember where he left his car keys. And underneath all of it, the feeling &#8211; strong, warm, and entirely convincing at that hour &#8211; that submitting the proposal is an achievement in itself.</p>
      <p>I&#8217;ve been lucky enough to have won those proposals more often than not. And I&#8217;d like to think most of that was down to my efforts and my writing, or the compelling nature of the offer &#8211; but that would be self-delusional. Looking back with any honesty, the ones we won were won before the all-nighter began. The client had already reached their conclusion; the document just wrote it down, in sufficient detail.</p>
      <p>And this is where the problem starts &#8211; because if you want to be ghosted after your next proposal, the recipe is short, and most of us have followed it without ever writing it down.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">&#8220;Send me a price&#8221;</h2>
    <div class="prose">
      <p>It starts earlier than the all-nighter, with four words. Someone asks for a price, and we hear a yes &#8211; or at least the beginning of one. Providing the price feels like progress, and it&#8217;s very hard to see it any other way when you&#8217;re the one who&#8217;ll be up until four doing the providing.</p>
      <p>But half the time, &#8220;send me a price&#8221; is the polite way to end a conversation that was never going to move. It costs the client nothing to say and it lets everyone leave the room feeling good. And the other half &#8211; the half where they meant it &#8211; it&#8217;s still just a request for a number, made by someone who has decided for themselves what their problem is and is asking you to price their own diagnosis. Neither version is a yes. Both get treated as one.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Proposal is last for a reason</h2>
    <div class="prose">
      <p>When a deal is big enough to matter, the front half of it moves through five stages, and they go in an order: prospecting, <button type="button" class="gt" aria-expanded="false" aria-controls="gd-qualification">qualification</button>, discovery, scope and alignment, and then proposal. There&#8217;s plenty after the proposal &#8211; presentation, negotiation and refinement, legal review, the signing itself &#8211; but those are the stages of a deal that&#8217;s real, and this article is about how you get one to that point. None of the first five is new. It&#8217;s what the large enterprise sales teams have run for years, buried under acronyms and stage gates and more machinery than you&#8217;d ever want in a privately owned and run business, but underneath the jargon there&#8217;s one simple idea. Each stage earns you the right to the next one.</p>
      <span class="gd" id="gd-qualification" role="note"><b class="gd-t">Qualification.</b> Deciding, on evidence rather than optimism, whether an opportunity is real – whether something is genuinely pushing the buyer to act, whether the people who can decide are involved, and whether the work fits what the business does well. <a href="https://stoneforgegroup.com/glossary/#qualification">Full entry &rarr;</a></span>
      <p>(1) Prospecting is deciding who&#8217;s worth a conversation before you spend one on them &#8211; not a name on a list, but a specific reason to believe there&#8217;s real work and something has changed for them. (2) Qualification is the homework: who signs, what the business looks like, and a working hypothesis of what they might need &#8211; a guess you&#8217;re willing to have overturned, not a pitch you&#8217;re ready to give. (3) Discovery is the conversation that finds the real need under the one they handed you &#8211; what they&#8217;ve tried, why it didn&#8217;t hold, and what happens if nothing changes. (4) Scope and alignment is shaping the work together and hearing the conclusion from the person who signs it off, in their words, including what it will take from their side &#8211; not reading quiet as a yes. And then (5) proposal comes last because its job is to write down what you&#8217;ve already agreed &#8211; not to go looking for the agreement.</p>
      <p>The place it goes wrong is nearly always the same. A few years ago I was referred to the owner of a well-established business. Qualification checked out &#8211; healthy, good reputation, exactly the kind of client we like working with &#8211; and that is the moment most people start selling, because the business qualifies and the owner is engaged, so why not get to a proposal. Had we done that, we&#8217;d have sold him a growth engagement, because that&#8217;s what the numbers said the business needed. It would have been the wrong deal entirely.</p>
      <p>The first real meeting was discovery, and the picture had nothing to do with growth. The owner was working far too hard, married to the business, and quietly arriving at the realization that he wanted a different outcome for himself and his family &#8211; one where he wasn&#8217;t at the center of everything. Qualification would have found a healthy business. Discovery found the owner inside it. And by the time anything went in writing, the conclusion had already come out of his mouth, in his words &#8211; not a line we&#8217;d sold him &#8211; so the proposal was a moment of confirmation rather than a moment of tension. Nobody stayed up all night for it, and nobody needed to.</p>
    </div>
    <p class="pull">A proposal can be compelling &#8211; but its core job is <em>to confirm, not to persuade</em>.</p>
    <div class="prose">
      <p>The persuasion and the compelling offer have to happen upstream, otherwise we&#8217;re throwing darts at a wall, blindfolded.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Experts who never chose selling</h2>
    <div class="prose">
      <p>Here&#8217;s the part I find encouraging, especially for the businesses we work with. The people winning this kind of work are rarely salespeople. They&#8217;re engineers, lawyers, estimators, electricians, project managers &#8211; experts who never chose selling, and who often feel at a disadvantage against the people who did.</p>
      <p>An electrician we work with &#8211; an expert tradesman, not a salesman, and the first to say so &#8211; told me a client had given him the job and said, unprompted, that he&#8217;d won it on the detail of the quote. Not the price; the detail. He&#8217;d understood the job well enough to write down what the client actually needed, and the client recognized their own situation in it. That is discovery and alignment, done by someone who has never heard either word in the context of getting business. And it&#8217;s why I don&#8217;t think the experts are at a disadvantage here at all &#8211; the stages reward exactly what a good expert already does. Finding the real need under the request is the job; the only change is doing it before the price goes out rather than after the work has started. Someone who has spent twenty years diagnosing before they act is far better equipped for this than someone who&#8217;s spent twenty years closing.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">The deal you&#8217;ve already priced</h2>
    <div class="prose">
      <p>So take every major deal on your table right now and place yourself in one of the five stages &#8211; honestly, which is the hard word in that sentence. Have I actually done discovery, or do I only know what they asked me to quote? Have I heard the conclusion from the person who signs, in their words? Have I earned the proposal, or did I jump to it?</p>
      <p>Where you&#8217;ve priced but the real questions are still open, one of two things can happen. You can go back &#8211; reopen the conversation, ask what you skipped, and perhaps repropose from a real footing. Or you can simply see that you&#8217;re not where you thought you were, and that the deal isn&#8217;t as real as it looked. That doesn&#8217;t make it dead. It means you decide, with open eyes, whether to change its trajectory or let it sit &#8211; instead of counting on it in the <button type="button" class="gt" aria-expanded="false" aria-controls="gd-forecast">forecast</button> and being surprised when it goes quiet.</p>
      <span class="gd" id="gd-forecast" role="note"><b class="gd-t">Forecast.</b> A forward view of what the numbers will do, built from what the business knows now – work already won, work likely to be won, costs already committed, and the timing of both. <a href="https://stoneforgegroup.com/glossary/#forecast">Full entry &rarr;</a></span>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Ghosted is a decline</h2>
    <div class="prose">
      <p>Follow the recipe &#8211; hear a yes that wasn&#8217;t real, skip discovery, propose the moment the business checks out &#8211; and there&#8217;s a modern word for what happens next: ghosted. The proposal goes out, and the client simply stops answering. Earning the proposal cuts the odds of that sharply. It doesn&#8217;t take them to zero &#8211; life intervenes, priorities shift, the person who was going to sign gets pulled elsewhere &#8211; and so the other half of the discipline is what you do when it happens anyway. Because being ghosted is a type of decline. It&#8217;s just a decline nobody has had to say out loud, which is why it can sit in a forecast for months looking like a maybe, and dealing with it well does two things at once: it raises your chances of winning the ones that were real, and it gives you certainty about the ones that weren&#8217;t.</p>
      <p>When we&#8217;re not sure, the most powerful move I know is to accept the decline formally. In your own words, something like:</p>
    </div>
    <div class="ins-email">
      <p class="ins-email-sub">Re: Our proposal</p>
      <p>Hi [name],</p>
      <p>Firstly, thank you for your interest, and for allowing us to submit a proposal to solve the [xxx] problem for you.</p>
      <p>We haven&#8217;t been able to contact you since we sent it on [date].</p>
      <p>Given that [three weeks] have now passed, unless we&#8217;re able to make contact by [5 p.m. this Friday] we&#8217;ll respectfully accept your decline and withdraw the proposal.</p>
      <p>If you&#8217;d still like to proceed, we&#8217;d welcome the conversation before then &#8211; or simply a note to say you need more time.</p>
      <p>Otherwise, we thank you for your consideration, and wish you all the best.</p>
      <p>Kind regards, [you]</p>
    </div>
    <div class="prose">
      <p>That does two things. The first is about how people actually decide. When someone has been in consideration too long on a consequential decision, what they start needing is to get out of consideration &#8211; not to say yes, just to be rid of the weight of it. So the longer a proposal sits undecided, the less likely it becomes a &#8220;yes&#8221; anyway &#8211; and by the time you&#8217;re writing this email the deal is already as good as gone, so saying so out loud doesn&#8217;t cost you a deal. You likely didn&#8217;t have one. The second is that the people who did intend to proceed, and have simply been buried by something else, come back quickly, and usually apologetically: sorry for not getting back to you, I need a little more time, let&#8217;s talk next week. Either way you&#8217;ve replaced a hope with an answer, and the deal is either back on a real footing or off the table where it belongs.</p>
      <p>It&#8217;s easier still if the deadline was declared from the start. Every quote and proposal we send carries a date it&#8217;s valid until &#8211; it&#8217;s simply good practice &#8211; so the email isn&#8217;t inventing a deadline, it&#8217;s holding to one the client has already seen.</p>
      <p>None of this is about closing harder. It&#8217;s the opposite. And it has changed how I think about those all-nighters. The achievement was never the document I pressed Send on at four in the morning. It was the conversation weeks earlier where the client said, in their own words, what they needed and why now &#8211; and everything after that was just writing it down. When the proposal is asked to do that work instead, no amount of staying up will make it happen.</p>
      <p>We&#8217;ve built a short tool online for exactly this. Take one live deal &#8211; the one that&#8217;s consequential or meaningful &#8211; walk it down the five stages, and tick every statement that&#8217;s actually true of it. The first gate it can&#8217;t clear is where the deal actually is, not where the paperwork says it is. No email, no sign-up, nothing you answer is saved.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Two questions to sit with</h2>
    <div class="prose">
      <ul>
        <li>Of the last ten proposals I sent, how many went out because the client had reached a conclusion &#8211; and how many because they asked for a number and I had one?</li>
        <li>Which deal in my forecast right now am I counting on, rather than standing on?</li>
      </ul>
    </div>
  </section>
<p class="fine" style="margin-top:14px;">More on the stages themselves: <a href="https://stoneforgegroup.com/questions/where-am-i-in-this-deal/">Where am I in this deal, really? &rarr;</a></p>
<hr>
<p><em>Originally published at <a href="https://stoneforgegroup.com/insights/how-to-get-ghosted/">stoneforgegroup.com</a>.</em></p>
<p><em>Fractional Revenue Leader (Fractional CRO) and Fractional Financial Leader (Fractional CFO) for owner-led businesses, $1–20M.</em></p>
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  </item>
  <item>
    <title>Ten thousand hours in, and my belly flops still don’t win medals</title>
    <link>https://stoneforgegroup.com/insights/ten-thousand-hours/</link>
    <guid isPermaLink="true">https://stoneforgegroup.com/insights/ten-thousand-hours/</guid>
    <pubDate>Mon, 10 Aug 2026 09:00:00 +0000</pubDate>
    <dc:creator>James Walls</dc:creator>
    <description>Thousands of hours off a diving rock bought competence, not a medal. Why the plateau arrives after the proving rather than before it, and how to tell which of eleven areas to work on first.</description>
    <content:encoded><![CDATA[<p><img src="https://stoneforgegroup.com/assets/img/insights/ten-thousand-hours.jpg" alt="A pair of legs disappearing into dark blue water after a dive" width="1280" height="720"></p>
<section class="reveal no-line" style="padding-top:24px;">
    <div class="prose">
      <p>When I was a child I more or less lived at the river below our house. There was a big diving rock you could jump from, and the whole business of a summer was perfecting your bomb, your staple, your belly flop &#8211; months of it, year after year after year. I must have spent thousands of hours going off that rock and swimming in that water. To this day, nobody has declared me world champion.</p>
      <p>Which is roughly my quarrel with the ten thousand hours &#8211; or rather, with what the ten thousand hours turned into once it left the research and got loose in the world. I read Outliers back in 2015 and carried the number away like everyone else did, and the version that stuck has taken a fair beating since; Anders Ericsson, whose work Gladwell drew on, spent years objecting to it.</p>
      <p>But I don&#8217;t think those summers were wasted, either. What the hours bought wasn&#8217;t a medal &#8211; it was the water. I stopped being frightened of the depth, I knew exactly what that rock would do to you if you got your timing wrong, and I could get in and out of it all day without thinking about it. Competence, rather than distinction. And competence is not nothing.</p>
      <p>Businesses have their own version of this, which is why five years is such a meaningful line. Get past it &#8211; and most don&#8217;t &#8211; and the market has ruled on your premise. People pay for what you do, you can deliver it, and you&#8217;ve survived enough surprises to prove both. Thousands of hours, and what they&#8217;ve bought you is competence: by any honest definition, the business is mature.</p>
      <p>Which is exactly why the plateau bothers me. Because it tends to arrive right there &#8211; after the proving, not before it.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Past the proving</h2>
    <div class="prose">
      <p>The tempting explanation is about the owner. That enthusiasm gets worn down and gives way to the mundane nature of running things; that some people are built to invent and innovate, and when they get caught in the banality of operations, the focus and the passion drain out. There&#8217;s something to that, and I&#8217;ve felt it myself in stretches &#8211; but I don&#8217;t think it&#8217;s the mechanism.</p>
      <p>The mechanism is that a mature business is relied upon. Clients depend on it, staff depend on it, the owners depend on it, and every one of those obligations multiplies the number of areas that have to be considered. Nothing about the work got worse. The job got bigger underneath you, quietly, whilst you were busy doing it well.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">The next problem on the runway</h2>
    <div class="prose">
      <p>And here&#8217;s the trap that sets, because it isn&#8217;t the busy work itself. The owners I sit with aren&#8217;t failing to manage &#8211; they&#8217;re managing constantly, all day, every day. The trap is in knowing what to manage. What is actually important, what can safely be delayed, and what deserves to be confronted &#8211; as opposed to simply taking the next problem that rolls onto the <button type="button" class="gt" aria-expanded="false" aria-controls="gd-runway">runway</button>.</p>
      <span class="gd" id="gd-runway" role="note"><b class="gd-t">Runway.</b> How long the business can keep operating at its current rate before it runs out of cash. <a href="https://stoneforgegroup.com/glossary/#runway">Full entry &rarr;</a></span>
      <p>That&#8217;s a diagnosis problem, and it&#8217;s harder than it sounds, because a business only ever shows you symptoms, and symptoms are poor witnesses. Flat revenue can be a pricing problem wearing a marketing costume; a people problem can look exactly like a sales problem for a long time before it admits what it is. Your gut will tell you something is wrong, and your gut will usually be right. But even the best instinct is still a single measure.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Eleven areas, two questions</h2>
    <div class="prose">
      <p>So we&#8217;ve put our whole-business assessment on the site. It&#8217;s called the Anatomy of a Well-Run Business, and it exists for precisely this moment &#8211; when the areas have multiplied and the question is no longer whether to act, but where.</p>
      <p>It covers eleven areas: leadership and direction, how you win clients, the revenue engine, financial management, operations, people, marketing and visibility, technology and data, risk, continuous improvement, and the value of the business itself. The multiplication I described above is real, but it isn&#8217;t infinite &#8211; it can be laid out on a table and looked at.</p>
      <p>The mechanism matters, so let me explain it. For every statement, you answer two questions rather than one: how well does this currently run, and what would leaving it unchanged actually cost? Neither score decides anything on its own. The gap between them sets your priority order &#8211; so an area that runs unevenly but would stop the whole plan outranks an area that runs poorly but would cost very little to leave alone. Most self-assessments hand you a report card, and a report card tells you where you&#8217;re weak, not where to start. Those are different questions, and only the second one is worth an owner&#8217;s time.</p>
    </div>
    <p class="pull">A well-run business isn&#8217;t the one with the most impressive strength. It&#8217;s the one <em>without a critical gap</em>.</p>
  </section>

  <section class="reveal">
    <h2 class="sec">Where the strong areas hide you</h2>
    <div class="prose">
      <p>The assessment cuts the other way too. It will show you where you&#8217;re strong in an area that wouldn&#8217;t much matter if you left it alone &#8211; which is usually the work you enjoy, done to a standard nobody is paying for, whilst something less comfortable sits waiting on the list. Strength can be a hiding place. I say that with some sympathy, having hidden in a few myself.</p>
      <p>One more thing it does that I&#8217;ve not seen elsewhere: before asking you anything substantive, it asks how your business mainly wins and keeps its clients &#8211; by knowing them deeply, by having the best offering, or by being the most reliable, lowest-friction option &#8211; and adapts its client sections to your answer. A business that wins on intimacy shouldn&#8217;t be graded like one that wins on efficiency. There is no single picture of well-run; there&#8217;s well-run for the way you&#8217;ve chosen to compete.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Run it with your people</h2>
    <div class="prose">
      <p>If you do run it, run it with the people who help you carry the business, and pay attention to where your scores disagree &#8211; the disagreement is a finding in itself. The owner who rates the <button type="button" class="gt" aria-expanded="false" aria-controls="gd-pipeline">pipeline</button> a strength while the person running it rates it a risk has just learned something no assessment could have told either of them alone.</p>
      <span class="gd" id="gd-pipeline" role="note"><b class="gd-t">Pipeline.</b> Every live opportunity the business is working on, with where each one has actually reached. <a href="https://stoneforgegroup.com/glossary/#pipeline">Full entry &rarr;</a></span>
      <p>There&#8217;s no email wall, no sign-up, and nothing you answer is saved or sent anywhere. It&#8217;s yours to keep, and worth repeating quarterly, because the ranked list changes as the business does.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Two questions to sit with</h2>
    <div class="prose">
      <p>Before any assessment, these two are worth an honest minute:</p>
      <ul>
        <li>Which area of the business have I not looked at squarely in the past year &#8211; not because it&#8217;s fine, but because something else was louder?</li>
        <li>This week, am I working on what&#8217;s important, or on what arrived most recently?</li>
      </ul>
    </div>
  </section>
<p class="fine" style="margin-top:14px;">The framework written out, if you would rather just read it: <a href="https://stoneforgegroup.com/the-eleven-areas/">The eleven areas &rarr;</a></p>
<hr>
<p><em>Originally published at <a href="https://stoneforgegroup.com/insights/ten-thousand-hours/">stoneforgegroup.com</a>.</em></p>
<p><em>Fractional Revenue Leader (Fractional CRO) and Fractional Financial Leader (Fractional CFO) for owner-led businesses, $1–20M.</em></p>
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  </item>
  <item>
    <title>Honoring instinct</title>
    <link>https://stoneforgegroup.com/insights/honoring-instinct/</link>
    <guid isPermaLink="true">https://stoneforgegroup.com/insights/honoring-instinct/</guid>
    <pubDate>Fri, 19 Jun 2026 09:00:00 +0000</pubDate>
    <dc:creator>James Walls</dc:creator>
    <description>Three of us wrote a bid on a blank page, cold, and came within five percent of the number three weeks of work produced. Why an owner’s gut is almost never the part that is wrong, and what the numbers are actually for.</description>
    <content:encoded><![CDATA[<p><img src="https://stoneforgegroup.com/assets/img/insights/honoring-instinct.jpg" alt="A calm dark sea at first light, the horizon just beginning to brighten" width="1280" height="720"></p>
<section class="reveal no-line" style="padding-top:24px;">
    <div class="prose">
      <p>Years ago, in a previous career running sales for IT managed services, a major proposal request would land on my desk &#8211; the kind worth several million dollars over three years &#8211; and three of us would read it: me, a senior executive from delivery, and the regional VP. We read it separately, and then each wrote a single number on a blank piece of paper. That was our bid: no workload model, no headcount plan, no costing of the externals, because we&#8217;d done none of that yet. Just the number, cold, from the gut.</p>
      <p>Then we&#8217;d turn the pages over, and the three numbers usually sat within a few percent of each other. If we agreed the thing was worth chasing, we&#8217;d spend two, three, sometimes four weeks building the proper bid &#8211; every deliverable scoped, every resource mapped, every external cost priced &#8211; and the number we landed on at the end was usually within five percent of the one we&#8217;d scrawled before any of it started.</p>
      <p>The number was never the work; it was the result of the work, arriving before the work had been done. Instinct couldn&#8217;t show its working or defend a single line of the figure, and you can&#8217;t bid several million dollars on a number you can&#8217;t stand behind. But it wasn&#8217;t guessing. It was seeing something real, fast, out of years of having done this before, and the analysis that followed didn&#8217;t overturn it. It gave it a body.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">The part that isn&#8217;t wrong</h2>
    <div class="prose">
      <p>A business owner&#8217;s instinct is almost never the part that&#8217;s wrong.</p>
      <p>The owners we sit with carry aims, whether they&#8217;ve said them out loud or not: the plateau they want past, the hours they want back, the version of the business they could finally step out of. And they carry instincts, about what to do next or about what&#8217;s quietly going wrong. Those instincts are not casual opinions. They are the compressed experience of years spent inside the business every day, in a way no outsider ever will be.</p>
      <p>Which is why contradicting that instinct is the fastest way to be ignored. Walk in with two weeks of analysis and tell an owner their gut is wrong, and what they hear, rightly, is that you&#8217;ve set a spreadsheet against their lived experience of their own business and decided the spreadsheet wins. They&#8217;ll dismiss you, and they&#8217;ll usually be right to.</p>
      <p>So we start somewhere other than the analysis. We start from the assumption that the instinct is signal, and that the work is to find what it already knows.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Home base</h2>
    <div class="prose">
      <p>Instinct is home base. It&#8217;s what the owner can see from where they&#8217;re standing, and however rough it is, it points at the thing they&#8217;re really trying to reach.</p>
      <p>That is what makes it more reliable than it looks, because the gut can be badly wrong about the number while being entirely right about the direction. Our bid could have come back thirty percent out after three weeks of work and the instinct still wouldn&#8217;t have failed, because what it was telling us was whether the proposal was worth our time at all &#8211; whether it carried us toward where the firm was trying to go. The figure was negotiable. The direction was not.</p>
      <p>There is a home truth behind every instinct, if you treat it as a symptom rather than marking it right or wrong. The symptom is pointing at a cause. So when an owner comes in certain about something, the move isn&#8217;t to go away and test whether they&#8217;re correct. It&#8217;s to stay in the conversation and ask what they&#8217;re seeing that the rest of us aren&#8217;t: what changed, what it feels like, when they first noticed it, what they&#8217;re afraid it means. You&#8217;re not agreeing with their conclusion, and you&#8217;re not flattering it either. You&#8217;re working backward from the feeling to the thing underneath it, because that thing is almost always more useful than the conclusion sitting on top of it.</p>
    </div>
    <p class="pull">Instinct can be wrong about the detail and still be <em>right about the direction</em>.</p>
  </section>

  <section class="reveal">
    <h2 class="sec">What the numbers are for</h2>
    <div class="prose">
      <p>Instinct can&#8217;t lay out the path and it can&#8217;t validate itself. On its own it is still a hunch you&#8217;d be reckless to bet several million dollars, or a business, on. The job of the analysis is to inform the instinct and shape it against what the numbers actually say.</p>
      <p>What the analysis is not is a verdict. When the numbers and the instinct pull in different directions, that gap is not proof the owner was wrong. It is the most useful thing in the room. It is the clearest sign of the home truth underneath &#8211; the aim the instinct has been quietly steering toward the whole time.</p>
      <p>And that aim is the entire point of the work. The real axis is the owner&#8217;s life measured against the future they are trying to reach, and the owner cannot see that axis on their own from inside the daily fire. This is where it first surfaces: not as a goal written on a form, but as a hunch they can&#8217;t fully account for. Honoring instinct means taking that hunch seriously enough to ask what it is protecting, long before anyone has put the aim into words.</p>
      <p>So the first move isn&#8217;t analysis. It is listening to the instinct closely enough to hear the aim inside it, and holding off on the spreadsheet long enough that the owner is still in the room when you find it. The number on the blank page was never the answer. It was the star we set out toward, before anyone had drawn the map.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Two questions to sit with</h2>
    <div class="prose">
      <ul>
        <li>What is my gut currently telling me about the business that I have not yet tested &#8211; and what would it cost to be wrong about it for another year?</li>
        <li>When the numbers last disagreed with my instinct, which one did I follow, and what happened?</li>
      </ul>
    </div>
  </section>
<p class="fine" style="margin-top:14px;">The scorecard places you on the same axis: <a href="https://stoneforgegroup.com/financial-scorecard/">instinct, insight or outcomes &rarr;</a></p>
<hr>
<p><em>Originally published at <a href="https://stoneforgegroup.com/insights/honoring-instinct/">stoneforgegroup.com</a>.</em></p>
<p><em>Fractional Revenue Leader (Fractional CRO) and Fractional Financial Leader (Fractional CFO) for owner-led businesses, $1–20M.</em></p>
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    <title>What your price funds</title>
    <link>https://stoneforgegroup.com/insights/what-your-price-funds/</link>
    <guid isPermaLink="true">https://stoneforgegroup.com/insights/what-your-price-funds/</guid>
    <pubDate>Tue, 16 Jun 2026 09:00:00 +0000</pubDate>
    <dc:creator>James Walls</dc:creator>
    <description>A photographer told us to double our price, and then double it again. What changed was not the money – it was what the work could become, and who turned up to buy it.</description>
    <content:encoded><![CDATA[<p><img src="https://stoneforgegroup.com/assets/img/insights/what-your-price-funds.jpg" alt="A bride and groom in silhouette against a bright harbor, from the photography business" width="1280" height="720"></p>
<section class="reveal no-line" style="padding-top:24px;">
    <div class="prose">
      <p>About twenty-five years ago I founded and ran a photography business with a partner. We were doing good work, getting good bookings, charging good money. Then a photographer I&#8217;d come to know, Simon Hoyle from Southlight Studio, said: &#8220;You&#8217;re not charging nearly enough for your work. Think of the most you can charge, and then double it, and when that works, double it again.&#8221;</p>
      <p>We did. Not all at once, and not without nerves about it, but we did. What surprised me wasn&#8217;t what changed about the money. It was what changed about the work.</p>
      <p>The higher price let us invest in every job. Better preparation. Better gear. More time with the bride and groom before the day. More care on the day itself. A different standard in the development of the photos afterwards. The price wasn&#8217;t extracting from anyone. It was funding what the work needed to be in order to be worth what it cost.</p>
      <p>The other thing that changed was who turned up. The clients who came in at the new price didn&#8217;t argue with it. They were thoughtful about what they wanted from the experience. They expected more, and they were right to. They were investing in something that mattered to them, and they wanted the work to reflect that.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">What you are actually selling</h2>
    <div class="prose">
      <p>Here is a definition that has stayed useful.</p>
    </div>
    <p class="pull">Value is <em>the bridge</em> between where the client is now and the future they&#8217;re working toward.</p>
    <div class="prose">
      <p>It gets more real with every step you take together, and the distance closing is something you can both see. That is what makes it worth paying for, and worth more than the hours it took.</p>
      <p>There is a substantive side to it, which is what the conversation usually covers &#8211; the thing built, the mistake avoided, the opportunity spotted. And there is a side that gets named less often, which is what carrying that future actually feels like for the person paying. Less guessing. Less alone with the hard decisions. What they are paying for isn&#8217;t the deliverable handed over at the end. It is the path getting clearer underneath them as you go, and the proof, step by step, that they are moving.</p>
      <p>Once that definition is in front of you, the pricing question changes shape.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Why hours can&#8217;t price it</h2>
    <div class="prose">
      <p>Plenty of good businesses price by estimating hours and working backward. Even the ones quoting a fixed fee are often doing it under the bonnet: this will take me about ten hours, my rate is roughly X, so I&#8217;ll quote something that lines up. It looks like value pricing from the client&#8217;s side. It is hourly pricing wearing a different label.</p>
      <p>Hours measure the wrong side of the transaction. Hours measure your effort. They don&#8217;t measure what your effort produces for the client. The same outcome can take many hours or few, and either way the client gets the same result. Worse, pricing on hours tells them you are charging for your time, which makes you a contractor &#8211; someone they can compare on rate against anyone else willing to do the same work.</p>
      <p>What the client actually gets is distance covered toward something they couldn&#8217;t have reached alone. That is what the price is for, and it doesn&#8217;t track with how long it took you.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">The conversation before the number</h2>
    <div class="prose">
      <p>If the price has to follow the distance, and the distance has to follow the end state, then the end state has to come from the client. Which makes the first conversation the only place the price can be set properly.</p>
      <p>Many clients haven&#8217;t put that end state into concrete terms. They have a felt version of it, and the specifics are personal. One wants to play more golf. Another wants a Friday off that doesn&#8217;t require a week of recovery. Another wants to be the chairman rather than the operator. Another wants the business to be worth something they can sell in a few years. Another has hit a ceiling they can&#8217;t push through and doesn&#8217;t yet have language for what is on the other side of it.</p>
      <p>The work of that conversation is helping them hold those things up to the light long enough to name them as the destination. Twelve months. Two years. Five years. What does success actually look like on each of those horizons, and what does it feel like to get there? The answers aren&#8217;t a template. They belong to that client and no one else.</p>
      <p>It cuts both ways, too. If you are not the right people to walk it with them, taking the work does damage to them and to you.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">What the price funds</h2>
    <div class="prose">
      <p>When you price for the distance covered instead of for the hours, two things change.</p>
      <p>You can afford to invest in every piece of work properly. The preparation. The thinking between sessions. The willingness to sit with a difficult question rather than rush past it. Cheap pricing forces cheap delivery, and cheap delivery means you are never quite there. Higher pricing funds being there.</p>
      <p>And the price changes who you end up working with. Clients who want to invest at the level the work represents are different conversation partners from clients squeezing every dollar. Not better people. Different fit. The ones you will work best with treat the work as something to use, not something to ration.</p>
      <p>A client can feel, without ever being able to name it, whether they are being billed for your time or invested in for their future. It shapes how they show up. Billed by the hour, they ration you, they hesitate before they call, they wait until the problem is expensive before they raise it. Priced on where they are trying to get to, they use you, and the work compounds because nobody is counting the meter while they do.</p>
      <p>So the pricing model was never only about what we earn. It quietly decides what the relationship is allowed to become.</p>
      <p>We didn&#8217;t rewire everything at once, either. We didn&#8217;t have the nerve to, and we didn&#8217;t need to. The courage came one conversation at a time &#8211; the next client whose aim we actually understood, and the conversation about where they were trying to get to before any conversation about price. Each one taught us something the last one hadn&#8217;t. The number could always follow, once we&#8217;d seen what we were really being asked to build.</p>
    </div>
  </section>

  <section class="reveal">
    <h2 class="sec">Two questions to sit with</h2>
    <div class="prose">
      <ul>
        <li>If I doubled my price tomorrow, what would I have to change about the work to make it worth that &#8211; and why am I not doing those things now?</li>
        <li>Do my clients ration me or use me, and which did my pricing teach them to do?</li>
      </ul>
    </div>
  </section>
<p class="fine" style="margin-top:14px;">More on the pricing question itself: <a href="https://stoneforgegroup.com/questions/is-our-pricing-still-right/">Our pricing was set years ago &#8211; is it still right? &rarr;</a></p>
<hr>
<p><em>Originally published at <a href="https://stoneforgegroup.com/insights/what-your-price-funds/">stoneforgegroup.com</a>.</em></p>
<p><em>Fractional Revenue Leader (Fractional CRO) and Fractional Financial Leader (Fractional CFO) for owner-led businesses, $1–20M.</em></p>
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